#comic draw-over

[leresq]

A digital re-draw of a drawing I made when I was 14 that was a drawover of a Fantastic Four comic!!! Featuring the four stuffed animals I had at the time, Bobo the Polar Bear, Pikachu, Norbert the Pig, and Cyrus the Fox.

[chloesimaginationthings]

FNAF Springtrap's first night in Dead by daylight..

[yourangle-yuordevil]

That time in ancient Greece when Aziraphale needed a speedy horse and accidentally invented the pegasus

VS.

Whatever Crowley had going on in medieval times

[qourmet]

this isn't the first time @cerbykerby had an idea that i've impulsively drawn... rest of the comic under the cut!

[hinamie]

unconditionally

[rejoiceinsilverlight]

the suit isn't complete until martha kent says so 🗣🗣🗣

[buniix3]

[krysmcscience]

Call this the Whoopsie AU (it's barely an AU)

I mean. Narinder never explicitly SAID the Lamb would stay dead... :3c He probably should have been more specific. >:3c

Part Two:

Well. The Lamb tried, but...sorry, Nari, the crown hates you now. Shouldn't have been so quick to lend it out, I guess. :D

Aaaand Part Three:

'Isn't he just adorable?' -The Lamb, probably, while their followers smile and nod and internally scream at the brand new hellcat they now have to share living space with...

Anyway, nothing says 'Dead To Me' like following a person around to loudly remind them of how dead they are to you. Right? Right. Narinder's got this all figured out. <:]

[rileyclaw]

emerald trio: enigmas to all, but most especially amity blight

[bixels]

It's crazy how Dungeon Meshi's manga can feel more cinematic and emotional than the anime to me, even when they're practically the same. Compared to the anime, this moment is such a heartbreaking gut-drop. The way Kui uses negative space and flat compositions to create a sense of horrific stillness is so key.

The way the text (Senshi's monologue) is sequestered to an empty corner of a panel or huddled away from the edge of its text box is not only a great way of showing Senshi's headspace (fearful, isolated, dissociating), but creates a visual representation of pause, as if you hold your breathe after each line. The first panel puts us directly in Senshi's perspective too (compared to in the anime, which puts us as an outside observer over Senshi's shoulder). The detail of the door and bricks so effectively implies that he stared at it for so long, waiting and hoping, that its image is burned in his memory. The wood grain, the brick arch, the number of rivets. The lack of dialogue in the second panel shows a moment of realization too –– "he's dead" (also a great example of the Kuleshov effect). And it's that pause that creates a beat and sets a great rhythm to his headspace, like a music rest: "He never came back." (oh god.) "I'm all alone." Finally, the third panel's negative space, cropping Senshi, shows how truly alone he feels. Without his family, the world ceases to exists. Under shock, he traps himself in a 1-foot radius, too scared to even perceive a world outside its boundaries; a world that can hurt him, kill him, make him disappear with it. There is only his body, the stone beneath his feet and against his back, his thoughts, and that awful bowl of soup.

Even though they're a series of flat images, there's an implicit reading of silence in Senshi's realization and horror. Kui influences your experience to slow down and take your time.

Compare this to the anime, which fills every shot with dialogue. The pacing is fast; we never get to sit in silence like we do with the manga. The horizontal frame allowed the boarders to add Senshi, turning the composition into an over-the-shoulder shot, which takes us out of Senshi's POV. They also added a zoom-out in shot one, which adds unnecessary energy to a very somber scene. The tightening on Senshi as a close-up reaction shot also dulls the moment. In the original panel, Senshi stares ahead at the empty space to his left as a shadow surrounds his mind. It not only shows how Senshi's senses are dulling and his world is shrinking (setting up panel three), but shows how terrified Senshi is of what's in front of him, how the air itself becomes pitch black and opaque, how Senshi is surrendering himself to fear. The pacing is understandable and necessary; this episode packed a lot of story content together. It's just a shame because it really (imo) deflated one of the most nauseating moments in Dungeon Meshi.

[turtleblogatlast]

“…humming a tune.”

I am very unwell about alternate Leo.

(Song: 'Dream Sweet in Sea Major' by Miracle Musical)

[otaku553]

Fire (part 4)

<- (PREV) (NEXT) ->

(Spade Pirate Sabo AU Masterpost)

We're finally here!!!!!! BABY'S FIRST FIRE FIST!!!!!

MASSIVE THANK YOU TO @where-does-the-heart-lie for writing the broad strokes of this 4 chapter arc!!!! it's been absolutely amazing having you as both a beta reader and a sounding board for comic ideas! thanks for being here since pretty much the very beginning :DDD

I've had this chapter sketched out since 2 months ago...... at long last it can see the day of light......

[chloesimaginationthings]

Death looms over Vanny's shoulder in FNAF..

[itty-bitty-sunshine]

Look, he doesn't mind it, but that's not what you expect from someone who you heard say "ow. Not how i thought my day would go." to a stab wound

[tooquirkytolose]

Based on this tweet:

[crumb-crumblet-s-crumbington]

🪤